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Minnie Driver on 'Hunky Dory'


By AmeriCymru, 2014-11-14




BUY ''HUNKY DORY HERE ( DVD REGION 1 USA ) ( DVD REGION 2 EUROPE )



“Finding certain roles is bit like falling in love, when you read something and you get a clutch in your stomach then you know you absolutely have to do it. And that doesn’t happen very often, but I can tell you categorically, I had to make this film”.

“I suppose when you break it down it was the nostalgia and the sweetness that attracted me to it. It’s so bittersweet and for me, those are always the best films, they’re my favourite films – ones that have the grace of that bittersweet moment”.

“There’s something about this story that’s universal. But I already got asked in Toronto whether we were making Glee, which is so annoying! The kids are really playing the instruments and the music is an organic part of everything that we’re doing here and that’s the other part that I loved. I’ve been waiting for a really long time to find a musical project, that had meaning and wasn’t a sort of fabrication. So this was definitely it, on a lot of levels”.

“You’ve got to love a women who’s at a crossroads but who has had to go back to find her way forward and that’s really where Viv my character is in the film. She’s gone back to the town she grew up in, probably the school that she went to, having walked away from something far more glamorous, but she needs to do that to find who she is. It’s really interesting that she finds her meaning through teaching. Something clicks into place through whatever ignites and happens between her and these children, herself and the music. There’s something very liberating about that, because it all sounds so wildly clichéd but you know, music really does set you free if you let it”.

“Viv is longing to go back to that place where Davy is beginning but she actually discovers that you can’t go back, you must go forward. Then she sees Davy challenging himself and moving forward, he’s setting out and jumping off and out and into his life, and Viv realizes it doesn’t matter that she’s forty, she has to do the same. She has to strike out and that we all have to do that. Age really isn’t an excuse, it’s just the way you look at it, it’s always about your perception”.

“When you board a project like this, you jump on board the director/writer’s passion and energy. There’s a reason they cast you, because you joined the dots of the outline that they had and suddenly you can see that in their direction, and in their eyes. It’s so amazing to breathe life into something that has been someone’s idea for such a long time. Marc is so vivid and clear about the story that he’s telling and it’s just the happiest set”.

Minnie Driver as Viv in Hunky Dory


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 a miners song welsh coal mining memorial

A Miner''s Song will be launched on the 16th March before the Wales v England game at the Millennium Stadium in Cardiff. Produced by Daniel and Laura Curtis from Caerphilly; all proceeds from the sale of the single will go toward the National Coal Mining Memorial which will be unveiled on the 100th anniversary of the Senghenydd disaster where 440 people died in the UK’s worst ever coal mining tragedy. Read our interview with Dan Curtis below:-

A Miner's Song   Press Release ..... Buy on Amazon

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Interview With Dan Curtis

AmeriCymru: Hi Dan and many thanks for agreeing to be interviewed by Americymru. Can you tell us a little about the cause you are supporting:- The Welsh National Coal Mining Memorial.

Dan: The Welsh National Coal Mining Memorial is going to be unveiled in October 2013 on the 100th anniversary of the Senghenydd disaster which killed 440 people in the UK’s worst disaster. The memorial will have a statue centrepiece, garden and walk of remembrance. It will remember the over 8,000 people who have died in Welsh coal mines and the countless more who have died as a result of coal mining related diseases. It will also pay tribute to the legacy of mining for example the hospitals and workmen''s hall which are now our theatres that were paid for by the miners themselves. It is very important for Wales to have a National monument and give people a place to come together and remember what’s gone before.

AmeriCymru: It must have been quite a logistical feat to gather all these contributions from around the world. How did you achieve it?

Dan: This has been the biggest challenge of the project. We made a decision early on that we needed to find a way to get people who were not in the UK to be able to take part on the song. We had people record on iPad’s and iPhones and send their recordings from USA and Canada. Our recording engineer Al Steele is an amazing man and made the recordings sound fantastic and you cannot tell the difference. We also did a number of location recordings in London and also around South Wales to record the choirs and brass band. There are over 300 people on the completed recording. The snow in January really delayed us but we did manage to get to everybody before the deadline. We are so grateful to everybody who took the time to do this and pay their own personal respects.

AmeriCymru: The project has received support and encouragement from some prominent showbiz and political figures. Care to tell us more?

Dan: The support for the single has been amazing. The Prime Minister David Cameron has sent us a personal letter wishing the single the best of luck and stating how important coal mining had been to the country. We have also received support from Carwyn Jones the First Minister of Wales who attended our memorial concert in September. The actors and singers involved with the song have also been amazing including Michael Sheen who has really got behind the single and offered his support and urged people to buy the single.

AmeriCymru: You have a personal connection with the mining industry. Care to elaborate?

Dan: My two great grandfathers were coal miners and sadly both died as a direct result of mining. The one died in Senghenydd and the other from the coal dust on the lungs and died when my grandfather was only one. We really wanted to create this single to pay our respects to all those who have lost their lives.

AmeriCymru: This is not your first musical venture in aid of Miners charities. Can you tell us a little more about your memorable 2012 concert?

Dan: At the start of 2012 I came up with an idea of holding a mining memorial concert underground but with the twist of taking a piano underground. I contacted Big Pit in Blaenafon and expected them to tell me I was crazy but they came back quickly and said it wasn’t the most crazy idea ever that had ever been pitched to them and that they were open to the idea. The piano was donated by Pianos Cymru who were the same company who took a piano up Snowdon for Bryn Terfel. It was an incredibly emotional experience to perform down the mine and to take a piano down for the first time. You can hear the sounds come back at you a good while later and the atmosphere was so poignant and emotional. It was the most moving and by far the most memorable of any concert we have ever performed. Something that we will never forget. We were fortunate enough to have a number of television programmes record. Here is a link to the footage: Dan and Laura Curtis at Big Pit

AmeriCymru: So...when will we first get to hear the song and where can we buy it online?

Dan: The song will be launched on the 16th March before the Wales v England game at the Millennium Stadium in Cardiff. The first play of the song will be on the Roy Noble show on the 10th March on BBC Radio Wales. The single will available in Tesco in Wales, iTunes, Amazon and can be pre-ordered Worldwide from the official website: www.nationalminingmemorial.co.uk



Welsh National Coal Mining Memorial Charity Single

a miners song welsh national coal mining memorial charity single

Hollywood and music legends unite for charity single in aid of the Welsh National Coal Mining Memorial. Rugby fans will be given an exclusive first look as the music video is launched ahead of the Wales v England game at the Millennium Stadium in Cardiff.

The single, which so far has been kept strictly under wraps, will feature the singing talents of: Aled Jones, Caroline Sheen, Daniel and Laura Curtis, Dennis O''Neill, Darren Parry , Ioan Gruffudd, Iris Williams, Jamie Pugh , John Owen Jones, Jonathan Pryce, JP Jones , Mark Llewelyn Evans , Matthew Rhys, Paul Child , Paul Potts, Rebecca Evans, Rhys Meirion , Samantha Link , Sian Phillips, Tom Lukas, Wynne Evans . With special spoken contributions by Michael Sheen, Boyd Clack, Joe Calzaghe and the late Richard Burton with the kind permission of the Dick Cavett Show. The song also features over three hundred local musicians, choirs and bands from around South Wales including BTM Brass Band, The Gentlemen Songsters Choir, The Richard Williams Singers, The Aber Valley Male Choir and one hundred and twenty school children. The bass guitar on the song is played by World renowned musician Pino Palladino.

The recording of the song has taken place at locations all over the World. Co-producer and composer Laura Curtis said “We wanted to reach out to Welsh artists across the world and invite them to take part. Many of these artists have hectic schedules due to them being in the middle of filming TV series or films. Going into a recording studio wasn’t an option for them, so we came up with the idea of using iPads and iPhones for them to record their lines. The quality once mixed into the song is really high and the results have been brilliant”.

The song has been written and produced by Daniel and Laura Curtis from Caerphilly. This is not their first mining related project, in September 2012 they organised an underground concert in a mine to honour those who lost their lives in mining disasters. The concert involved lowering a piano 300 ft underground for the first time.

After being made redundant in 2011, Daniel Curtis made the decision to follow his life-time passion and become a self-employed professional musician and project manager, specialising in music events. Due to close family ties with coal mining he decided to put his efforts into a project that would raise money for a cause that was very important to him.

Daniel Curtis said ‘My two great grandfathers died in mines and after the emotional experience of performing the concert underground last year I wanted to create a song that paid tribute to the legacy of coal mining. The response that we have received has been amazing and we have tried to involve everybody who has wanted to take part. Each artist has added their own personal style to the recording and made the song something very special. We are delighted with the way that it has turned out.’

michael sheen a welsh coal mining memorial 2013

Dan and Laura Curtis with Michael Sheen

Michael Sheen OBE said ‘I want to lend my support to this incredibly worthy cause that is part of our history and our heritage. I hope that everyone will get behind this and give it the boost it deserves."

The Prime Minister, David Cameron has also expressed his support saying; ‘We owe a great debt to those who were, and continue to be, involved in the industry. We cannot forget those who lost their lives in mining related disasters over the years, including Senghenydd. I wish the single every success.’

The National Coal Mining Memorial will be unveiled on the 100th anniversary of the Senghenydd disaster where 440 people died in the UK’s worst ever coal mining disaster. The National Memorial will be a national monument to remember the over 8,000 people who have died in Welsh coal mines. The memorial is costing over £220,000 and will contain a walk of remembrance, monument and garden.

The song will be available to buy from the 16 th March in Tesco on iTunes, Amazon and many other outlets nationally. The song can be pre-ordered from www.nationalminingmemorial.co.uk

The production of the single has been sponsored by a number of local businesses. The two primary sponsors are Giovanni’s Restaurant in Cardiff and Foy Wealth.



PRESS RELEASE



On the 13 th September 2012, Big Pit in Blaenafon will host a memorial concert in remembrance of those who have lost their lives in coal mining accidents. The concert comes two days before the first anniversary of the Gleision Colliery tragedy.

This concert will be held at ‘Pit Bottom’, 300 ft underground. An upright piano will be placed into the ’cage’ to make the descent into the mine. Several dignitaries and special guests including the First Minister of Wales Carwyn Jones will be attending the concert.

Performing will be Daniel and Laura Curtis who are considered as one of the foremost ambassadors for the preservation of the music of Ivor Novello and The Great American Songbook. Welsh writer and actor Boyd Clack will also be writing a new poem to mark the event as well as joining Daniel and Laura in song. The BBC One Show will be covering the concert for inclusion as a VT in a future programme.

Daniel Curtis said ‘I have wanted to do a concert at Big Pit for a long time. I contacted the museum with my fingers crossed that they wouldn’t think I was crazy! Luckily it wasn’t the craziest request they had ever received. It’s great that we are making this happen. My great grandfather died in Senghenydd Colliery and I really wanted to hold a concert to pay tribute to pay my respects and raise awareness for those who have died in mines. Singing was an important part of mining history with many miners being members of their local Male Voice Choir. The number of people who lost their lives through the years is one the biggest tragedies running through the history of Wales and Britain.’

Peter Walker, Keeper and Mine Manager added: ‘We are only too happy to work with Daniel and Laura Curtis on this concert, as we feel passionately that any effort to keep the memories of this most important industry alive is vitally important. We have had many weird and wonderful events underground, and we look forward to sharing the excitement of this unusual concert.’

Stage and screen legend Jonathan Pryce has supported the concert by saying: ‘Coal mining is ingrained in our history and has to been one of the toughest and most dangerous jobs that anybody could do. My father worked in two mines in the Holywell area including the Bettisfield Colliery, but my mother rescued him from the mines when they married and both became shopkeepers. It is very important that we remember those who have lost their lives working in mines, but also those who have died from diseases like pneumoconiosis caused by the inhalation of dust. Due to my theatre commitments with King Lear, I am unable to attend the memorial concert at Big Pit, Blaenafon but I would like to add my support to the concert and wish Dan and Laura Curtis all the very best. Taking a piano underground is certainly unique idea and will, without doubt, create a very special and poignant atmosphere.’ Jonathan Pryce CBE.

The piano has kindly been donated by Pianos Cymru who are an award winning piano dealership in the NorthWest Wales area and have recently opened another branch in Chester called ‘Jones Pianos’. They have been established since 1970 and offer an extensive range of pianos. They have twice won the prestigious ‘Kawai Dealer of The Year Award’ which is a National Recognition Award to the Piano Dealer that has ‘served the piano world best’ thorough the UK that year. They have supplied and maintained pianos for major Music Festivals across the UK, and worked for International stars that have included Jose Carreras, Jamie Cullum, Bryn Terfel, Michael Ball and Dame Shirley Bassey. www.pianoscymru.com


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AmeriCymru: Hi Norma and many thanks for agreeing to be interviewed by AmeriCymru. When did you first discover your passion for writing and literature?

Norma: I have always had a passion for writing, but could never devote enough time to it, because of pressure of work. As a child I loved writing essays and stories. My professional career as a teacher, specialising in English Literature, nurtured my love of good books. I wrote a number of academic articles for journals such ''Management in Education'' and I also wrote an article for a book called ''Take Care Mr. Blunkett'' about curriculum issues. However, at the back of my mind there was always a hankering to write fiction. When I took up writing full-time I decided to write about my experiences as a child growing up in the Welsh valleys, but I was really interested in creative wrting. I enjoy writing fiction. For me it is a pleasure, not a hardship.

SWeason of the Long Grass AmeriCymru: Season of The Long Grass is a true story of a childhood spent in the Cynon Valley in the fifties. Care to tell us a little more about the book and how life in he valleys has changed since that time?

Norma: My first book ''Season of the Long Grass'' is a journey through childhood to adolescence and the realisation that everything changes. It depicts the importance and strength of family life in the Welsh Valleys in the 1950s. A mining village wasn''t just a community, it was almost an extended family where people looked out for each other. Front doors were never locked during the day, the pubs closed at ten o'' clock and were shut on Sundays. Families sat around the table to eat and talk about their day. Television didn''t invade households until the late 1950s so entertainment was mostly board games and family activities.

Children could play ball on the main highway, because there was very little traffic compared with the present day, and vehicles were much slower. Whole streets went to the seaside together and the generations mixed together, unlike today. After ten o''clock the local dance hall was full of all ages from teenagers to grannies. Alcohol wasn''t served in the dance hall, only soft drinks and snacks, but it didn''t matter. Teenagers didn''t go into local pubs, because they knew they would be seen by somebody who would report back to their parents.

Discipline in schools was much stricter and the cane was administered just for being late on a few successive days. I remember being told that if a strand of hair was placed across the palm of the hand the pain of the cane wouldn''t hurt. They were wrong! There was more respect for the police. Children were not afraid to approach a policeman if they needed help. Conversely, most misdemeanors were dealt with by dragging the miscreants home to be punished by their parents. Going to Sunday School was positively encouraged and being drunk was frowned upon. It was altogether a gentler way of life where people looked out for each other.

Unlike today children were free to play and roam the mountains without fear. No problems with health and safety when climbling trees, playing conkers or building bonfires for Guy Fawkes night. Children ate what they were given, because they had been brought up on war rations which didn''t completely end until about 1953/1954. Designer clothes and trainers didn''t exist for children. They were expected to dress like children and wear what they were given to wear. Sex was only spoken about in hushed tones and never in front of the youngsters. There was no sex education in schools other than human biology. Most information was acquired behind the bike shed or from older siblings.

Even though there was pressure to do well in school and pass the ''scholarship'' to get into grammar school, there were fewer pressures on young people than today. Nowadays children want the latest fashion, indulge in anorexic diet fads and can''t wait to become fully-fledged adults. In the 1950s children were content to be children until ''teenage culture'' became fashionable.

The Regis Connection AmeriCymru: Your second novel The Regis Connection is set in Berlin and Russia. What inspired you to write a thriller set in the WWII and cold war eras?

Norma: Your second novel ''The Regis Connection'' is set in Berlin and Russia. What inspired you to write a thriller set in the WWII and cold war eras? ''The Regis Connection'' was inspired by my time living in Berlin during the Cold War. I had many conversations with Berliners who had experienced the Soviets marching into Berlin at the end of the Second World War. They related what happened and the differences in how they were treated by the Soviets and the Allies. I also met people who had been involved with resisting Hitler. One woman told how soldiers broke into her house and shot her husband, because he refused to join the Nazi Party. Subsequently, she was forced to become part of the Lebensborn, a programme that used blonde, blue-eyed women to increase the population of Aryan children often fathered by SS officers.

I lived in the British Sector about two hundred yards from the Wall and close to Gleinicke Bridge where spies were exchanged, as depicted in Hollywood films. Travelling into Charlottenberg, on the top deck of a double decker bus, it was quite normal to see armed Grepos manning the Goon Towers. Gunshots and minor explosions from the East German side were commonplace. Military personnel families lived on constant alert in case the Soviets came over the Wall to invade West Berlin. I actually travelled on the military train through East Germany and experienced the precautions put in place by the British Forces and also visited the Russian War Memorial in Treptower Park in East Berlin. Visits were only allowed with the military and were closely supervised. Compared with the thriving, cosmoplitan atmosphere in theWest, East Berlin looked shabby and poor. Many bombed out buildings were still in existence.

I was so intrigued by events and stories I heard that I decided to write a fictional story based on what I had heard and experienced.

AmeriCymru: You are currently working on your third novel. Care to tell us more about that?

Norma: My latest novel is also a thriller set in present times. Currently, it has the provisional title ''Until Tomorrow Comes''. It is now with the publisher. Below is a brief synopsis of the book.

Chief Inspector Brian Wallace is called in to investigate the murder of a naked victim, wrapped in a blanket, found at the bottom of an old engineering shaft in Shropshire. A local reporter informs him that another naked body was washed up on the beach near Portsmouth suspected of being thrown from a cross channel ferry. The murder had been swiftly hushed up leaving no record of the incident. Wallace is furious when he is warned against pursuing his investigation by the top brass.

Determined to find out if there is a link with the murder in Shropshire he contacts Ernst Dreher, his counterpart in Geneva, who has links with Interpol. Subsequently, he and his pathologist girlfriend, Jo Barnett, fly to Geneva to discuss the case. Unknown to Wallace, Jack Conrad, a former colleague in British Military Intelligence, is also in Switzerland investigating the disappearance of two British army officers, Bruce Foley, working for MI6, and Robert Macaleer of British Military Intelligence. Gradually, Conrad and Wallace uncover a sinister connection between the murders of the two military men, the brutal murder of a young woman in Shropshire, who is connected to Colin Lynes, a Russian ‘sleeper’, and an American senator found dead in a hotel room in Paris.

Their search for the two missing military men sets off a trail of events that leads them to a covert organisation, known as the Black Militia, hidden away in the Swiss Alps. It is headed by a man known only as the Generalissimo. Wallace infiltrates the facility and discovers the full extent of the Generalissimo’s plans before escaping with Conrad. When they return to capture him they find that the entire organisation has decamped. They recover a disk from the Militia’s crashed helicopter containing precise information about the organisation and the Generalissimo''s plans; information that makes their blood run cold. The plot is full of intricate twists and turns. The action takes place in England, Switzerland, Paris and the United States of America.

AmeriCymru: Where can we go to purchase your books online? Are they available on Kindle?

Norma: Both ''Season of the Long Grass'' and ''The Regis Connection'' can be purchased on Amazon.com/ Amazon.co.uk, the Welsh Books Council, Waterstones and other good book stores. Both have five star reviews on Amazon.

''The Regis Connection'' is now available on Kindle

''Season of the Long Grass'' will be on Kindle very shortly.

My new novel ''Until Tomorrow Comes'' will also be available on Amazon and Kindle.

AmeriCymru: What are you currently reading? Any recommendations?

Norma: I have recently read some good historical novels such as C.S. Sansom''s Shardlake series, ''The Revenge of Captain Paine'' and ''Last Days of Newgate'' by Andrew Pepper; also Philippa Gregory''s ''The Other Queen'', ''The Queen''s Fool'' and ''The Red Queen''. I also enjoyed Bernard Knight''s books.

AmeriCymru: What''s next for Norma Lloyd-Nesling?

Norma: I am not a single genre writer. After writing two thrillers I am now researching for a novel with an historical twist that moves from the 16th century to the present day. I am also writing a chic lit novel under a pen name. A little note for readers and members of AmeriCymru - my new novel, and any future books, will be published under the name Lloyd Nesling cutting out my first name and the hyphen.

AmeriCymru: Any final message for the readers and members of AmeriCymru?

Norma: Getting published is extremely difficult on both sides of the Atlantic. It is hard to know what publishers want other than chic lit, celebrity autobiographies, and what I term ''doom and gloom'' books. Keep at it! You never know when you''ll hit the jackpot. In the meantime write for pure pleasure. Enjoy!



AmeriCymru spoke to Welsh author Terry Breverton about his recent books on the Tudor dynasty and other topical matters. In this controversial interview he offers opinions on ''wind farms'' and the current state of Welsh politics.

For more from Terry Breverton on AmeriCymru check out the links below.

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AmeriCymru: Hi Terry and many thanks for agreeing to be interviewed by Amri Cymru. Care to tell us a little about your recent book Everything You Wanted To Know About The Tudors But Were Afraid To Ask ?

Everything You Ever Wanted to Know About the Tudors but were Afraid to Ask Terry: I wasn’t keen on the title, but it’s what the publishers wanted. After my books upon Richard III and Jasper Tudor I was suddenly one of their ‘Tudor experts’. Of course, being Welsh, they are my favourite dynasty, despite Henry VIII, who was fairly repulsive in every way. If his elder brother Arthur had survived, history would have been very different – perhaps Catholicism would still be the main religion. I wrote the book as one that I’d like to read – entertaining and informative. I’ve had dozens of emails and letters telling me that it’s kept people up at night. One 84-year-old scientist emailed me that he was reading it on a train to London from Portsmouth and kept laughing. By the end of the journey the three strangers sitting at his table on the train all said that they would buy it, as he read out bits to them. Books Monthly reviewed it and also commented on the title: ‘A different take on the Tudors – this magnificent collection of facts and figures is a little like a Pears Cyclopedia of Tudor information – the title is the only unwieldy thing about this book, the contents are brilliant and well packaged, meaning you can search to your heart’s content and come up with the information you want or need. A fantastic idea, one of the best history books I’ve encountered!’

It asks whether Henry VIII composed Greensleeves. What were Thomas Cromwell''s bizarre toilet habits? Did Anne Boleyn have six fingers on one hand? We all know the old nursery rhyme: Mary, Mary, quite contrary, How does your garden grow? With silver bells and cockle shells, And pretty maids all in a row . Did you know that this is Mary Tudor, and her garden is an allusion to graveyards which were increasing in size with those who dared stay Protestant? The silver bells and cockle shells were instruments of torture, and the maids were a form of guillotine. Peasants had never heard of ‘the Black Death’. Henry VII was the first English king with British (i.e. Welsh) blood, from his father Edmond. The Tudors could have been called the Merediths or Bowens. The Tudor line did not die out with Elizabeth I. The first National Lottery was in 1569, discontinued in 1826 because of religious feelings. Elizabeth liked appearing topless as an old woman. And so on – it includes brief biographies of all the rules as well.

AmeriCymru: You have also written recently on Jasper Tudor: Dynasty Maker . How important was Jasper in British and Welsh history?

Terry: I had to fight for this title, as the publishers wanted ‘ Jasper Tudor: The Man Who Made the Tudor Dynasty’. The reason is that every English student has heard of Warwick the Kingmaker , but Jasper was far more important in the history of the country. Hardly anyone has heard of him – mainly because he is half-Welsh and half-French. On his father’s side he is descended directly from the Tudors of Penmynydd who fought for Glyndŵr, and his mother was Catherine of Valois, the widow of Henry V and sister of the French king. His father Owain Tudors’s ancestors had nearly all fought the English since well before the time of Ednyfed Fychan, around 20 generations fighting for Wales. His great-grandparent Maredudd Tudor lost his two older brothers fighting for Glyndŵr. They were integrally important in the 15 year war against England. It is very rare to come across an unknown true hero – he was the only peer to fight from the first battle of the Wars of the Roses, to the last at Stoke Field – 32 years of fighting, being exiled, hiding and fighting again.

AmeriCymru: What line does your recent book on Richard III take regarding his historical reputation? Was he a monster or was he a victim of Tudor propaganda?

Terry: Most so-called ‘Tudor propaganda’ was perpetrated by the followers of Henry VIII and Elizabeth I, otherwise Henry VII would be regarded as possibly the greatest King of England. Everything Henry did was aimed at solidifying a new dynasty.

Richard III: The King in the Car Park is a comparative analysis of the lives of Richard Plantagenet, a usurper king, and Henry Tudor, demonstrating the cruelty of Richard throughout his career and his arbitrary executions to take power. Ricardians fail to see that so many Yorkists deserted his cause in his two-year reign, and so few peers turned up to support him at Bosworth Field. He was not liked by peers of people, even in the Yorkist stronghold of London. He made Edward V and Prince Richard illegitimate when he imprisoned them and seized the throne, while Edward IV’s widow fled into sanctuary. He murdered Edward V’s bodyguard and Edward IV’s best friend Hastings. From sanctuary with her daughters, Queen Elizabeth Woodville plotted with Henry Tudor’s mother Margaret Beaufort to bring Henry to power, once she knew her sons had been murdered in the Tower in June 1483. Richard’s greatest ally, Buckingham, rose against him in the first year of his reign. Elizabeth Woodville’s remaining male family joined Henry in exile, along with hundreds of disaffected Yorkists who had rebelled across the south of England. Richard’s history from his time as a young man until king demonstrates a ruthless personality. Henry never displayed any vengeance in all his lifetime, and European ambassadors reported their astonishment at his treatment of his enemies after Bosworth and throughout his reign. Those that believe that Henry VII killed the ‘princes in the Tower’ are very misguided.

AmeriCymru: You recently contributed an article titled The Wind Follies of Wales to the AmeriCymru site. Have there been any further developments on that front? Anything you would care to add?

Terry: Wales is still being despoiled – near me great forests are being cleared at Brechfa for more of the pointless things, but even bigger than previous generations. Unfortunately all political parties in Britain see them as some sort of answer to a possible energy problem, ignoring fracking potential. They also seem to think that climate is controlled by man, not wishing to look at historical variations caused by Milankovic Wobbles, which I explained in my ‘Breverton’s Encyclopedia of Inventions.’ It baffles me, with an engineering background, how people call wind turbines ‘renewable energy’ – it’s just lies as no energy is renewable, only transferable with a loss of efficiency. And as for wind farms, again it’s marketing-speak – what about coal farms, gas farms, nuclear farms and oil farms? I fear that the Western World is killing itself economically with all this climate change garbage – climate is always changing – just read any history book. Gore’s Nobel Prize was based upon a statistical untruth – the Mann Hockey Stick graph. An analogy would be that a team wins three games in a row, so will always keep winning. Nonsense.

AmeriCymru: What''s next for Terry Breverton? Any new titles in the pipeline?

Terry: Henry VII: The Maligned Tudor King is on its way for next Summer, showing how his position as y mab darogan , ‘the son of prophecy’, was vital in his taking the crown by marching through Wales and amassing an army. There was no opposition as Yorkists and Lancastrians alike flocked to his banner. It’s a great story of being in danger nearly all of his life to taking the crown in his first ever battle in his late twenties. Then he changed England and Wales to solidify the power of the monarchy against nobles and made the country economically sound, while beginning the British Empire. A recent prize-winning book, The Winter King , was a hatchet job to sell copies and I want to readdress the balance. It was the last successful foreign invasion of England – Welsh and French armies – but historians still follow the line that 1066 was the last. I have no idea why many historical writers just follow their feelings and what they have read – instead of truth.

AmeriCymru: Any final message for the readers and members of AmeriCymru?

Terry: I’ve been to the National Festival of Wales in Vancouver and Washington, and many of our countrymen on the American Continent have a lovely, nostalgic view of the Wales they knew. It has changed massively in my lifetime – I’m now 68 and remember when living standards were on a par with those of England and far above those of France and Italy. Wales is struggling desperately economically… you have to be aware that the Wales Assembly Government has no answers. Like Westminster it is full of unemployable placemen and women who have never had a proper job in the private sector. Their major advisors, quango leaders and civil servants are equally dense as regards the Welsh situation. Some Assembly members refuse to answer any questions directly unless they get them in advance for a team to write an answer. As well as zero knowledge of how to restore the nation to parity with England and the rest of Europe, they have limited awareness of what is happening across Wales – the dying of the language and the disintegration of the infrastructure – as they are insulated from the people. We can add to this their ignorance of what the past means to Wales – there is little interest in how our heritage can really stimulate tourism. I’m a Fellow of the Chartered Institute of Marketing and of the Institute of Consulting, with a track record in international strategy and consultancy, but there seems to be no-one advising Welsh MPs or AMs with any understanding of private industry.

Astonishing amounts of funding is thrown at non-Welsh companies on its north-eastern borders, employing English commuters, to no benefit to the Welsh economy. The Labour administration is intent upon building more and more houses when there are no real jobs – all this does is attract incomers who rely on benefits, or retirees. 90% of Welsh population growth for the last 20 years has come from incomers – they do not come here to work. The population has grown from two to over three million people in my lifetime, and over a third of the people now say that they are not Welsh. Perhaps another sixth are the children or grandchildren of incomers. I believe that the true Welsh people are down to about 1.5 million people, less than half of the Moslem population of Britain. Millions of pounds are thrown into promoting multiculturalism, while the relict British population exists on something similar to a Native Indian reservation. I have called Wales ‘Europe’s Tibet’ in the past because of the displacement of the population. The best have to go to England or overseas to work. They are replaced by incomers. The unemployed want to be relocated to Wales – they get free housing and benefits in the full knowledge that there are no jobs that they can be forced into. The elderly ‘white flighters’ escape multicultural England to moan about the language and become an increasing drain on the health service. Upon all socio-economic parameters, Wales constantly falls against the rest of Europe. Labour does not care, as the unemployed, elderly, ill, benefits-seekers and immigrants are overwhelmingly Labour voters. And the Welsh vote Labour as if we have been ovinified. If we voted tactically, perhaps more attention would be paid by Westminster.

It is a sad story but I see no end to our problems. If we were a more violent nation, like the English, Scots and Irish, perhaps we might get somewhere, but we have always been pacifist. If you visit Wales, please travel across the land, and write to the press about what you see. Outside Cardiff, there are deprivation, poor housing and low incomes. Our tourism industry hardly exists. The seaside towns along the North Wales coasts have hotels now converted to social housing. The west coast is very underdeveloped in terms of good places to stay, unless you want to stay on one of the ubiquitous caravan sites cluttering virtually every mile of coastline across the country. In South Wales it’s the same story. Across the land there are very few good hotels for a touring holiday. I apologise for being so downbeat about a nation that I love but you will not get politicians telling the truth. I lived and worked for most of my life outside Wales, and can see the reality from an external view. There is poverty here, not just in terms of housing stock and people on benefits, but in terms of any politicians taking a long-term view of how Wales can get out of the mess it’s in.

We desperately need a dose of reality. This is a letter which I recently sent to the press but was never published:

‘I cannot believe the political squabbling about Wales being granted £2 billion by the EU because it is one of the poorest parts of Europe. Welsh politicians should have been trumpeting this poverty for decades, as the nation has consistently fallen behind upon all socio-economic indicators. I am a Fellow of both the Institutes of Consulting and Marketing, have written over thirty books upon Wales and have published criticism of politicians and the Welsh economy for over two decades, so have some inkling of what is going on. [John Redwood, when Welsh minister, famously and moronically refused much-needed EU monies upon ideological grounds.] If that quagmire of bureaucratic idiocy, that represents EU policy, recognises that Wales has very serious problems, why cannot our politicians? Wales has missed out upon billions of pounds under the flawed Barnett Formula, but why has it taken until now for any senior politician to think about raising the subject? Why do politicians moan that the EU has at last discovered that the nation has serious problems? These are problems that the WAG should have been addressing, not pouring money into English Deesside and pointless ‘aeroscience’ parks.

We have poor and underfunded education, from schools to universities. We have among the poorest health statistics in the Western World. There are no real private sector job prospects, and little help for indigenous companies. Our towns and villages are mouldering outside Cardiff and a very few places like Narberth, Cowbridge, Abergafenni and Hay. It will be interesting to see how the £2 billion is dispensed (i.e. lost) among and by committees, quangos, councils and the Assembly – do not hold your breath for it to be allocated in a cost-effective manner, by politicians, civil servants and their advisors who have never had a real job. It must be spent upon building up a tourism infrastructure - tourism is Wales'' primary hope for its decimated private sector. A serious reallocation of the Barnett Formula can start readdressing major health and education issues. Welsh politicians must seriously argue for more British Government funding to help its indigenous people, not consistently conform to Whitehall and Millbank policies. They should begin to represent the interests of Wales and the Welsh, not London parties as in the past.’

I realise that this sort of stuff in unpalatable – but my career was in corporate strategy and international consulting, so I’m not constrained by what happens across the road or what someone else repeats. I have an odd background for a historical writer, but it gives me a better perspective that our politicians who have never worked in the private sector. We have to compare Wales to other countries, benchmark what happens here, and unless we get this dose of reality we’ll get nowhere. And we have to begin with better protecting our heritage, culture, landscape and language - Hwyl


Back to Welsh Literature page >


Ralph Jones

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AmeriCymru spoke to Welsh writer Ralph Jones ( author of The Silent Wheels and The Deceit ) about his work and future plans. Ralph lives in Merthyr Tydfil and his first novel ( The Silent Wheels) is the story of the 1984/85 British miners strike and how a group of striking miners survived one of the most bitter industrial disputes in the history of the British trade union movement. A story of some of the comical things that happened during the year long dispute, and how they managed to survive.

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AmeriCymru: Hi Ralph and many thanks for agreeing to be interviewed by AmeriCymru.. What first inspired you to write?

Ralph: I had the idea for the book about the miners strike for a long time, but I never got around to it. Myself and my work colleagues used to discuss the strike and reminisce about the stories. We always said that somebody should write a book about it, so one day I decided to have a go. The main character in the book Big Jones was my best friend, a real great man and I was as close to him as a brother. He sadly passed away three years ago and I then lost interest in doing it and almost deleted the file. One evening my son asked me how the book was going, "I can''t face doing it", I replied to him. He then replied to me, "I think you should finish it as a tribute to uncle Brian, (as he always called him,as he was Brian''s godson), he would have loved that".

I thought then, yes he would so I knuckled down and finished it.

The Silent Wheels - Ralph Jones AmeriCymru: Can you provide a little historical context to the events behind your novel The Silent Wheels ?

Ralph: The book is based upon the events of the 1984 British miners strike. I decided not to go down the political route, as it had been done many times before. So I thought that I would try and put into words an alternative side. The stories are all true and are written as I saw then happening and all the main characters are really friends of mine, although some have now sadly passed on.I have tried to capture the camaraderie of a group of workmates who were also friends and the bond that was between them that is still there to this day.

AmeriCymru: I know the book is not really about the political situation surrounding the strike but concerns itself more with the way that people survived the whole ordeal. Care to expand a little?

Ralph: As I said I don''t want to touch upon the political side of the strike. I have tried to show that the mining communities in Wales where I am from,and I suppose everywhere, will always stick together. The strike was not about money it was about saving jobs,most people we spoke to understood that if the mines were closed down there would be a knock on effect on the community that they lived in. Also with a lot of the steel works and other places also being earmarked for closure we were fighting for other people as no one seemed to be safe.

AmeriCymru: What, for you was the most poignant episode you experienced during the strike?

Ralph: The attitude of some people really shocked me. Although in general most people supported us,there were the odd few who would call us lazy and troublemakers. Also some of the things that went on at the picket lines shocked me .I am not saying that the miners were innocent but some of the police tactics were really brutal, with a lot of them just charging in and swinging the truncheons at some of the mass protests.

AmeriCymru: What, for you was the most humorous incident you experienced during the dispute?

Ralph: There are too many humorous stories to pick one out and I couldn''t pick a favorite one. But one story will always stick in my mind and I have told it often.We were up in Oxford and there was a lady sitting on the floor on the pavement and we looked at her and she had no legs. One of the boy''s walked over to her and emptied the contents of the bucket he had,as we had been around the town asking for people to donate to help the miners. We were staying in the students union in the university and when we told the students they all laughed at us and we didn''t know why. A week or two later we were walking down the same street,she was still there, when a car went past and a gust of wind lifted her skirt  up, it was then we saw that she was standing down an open manhole cover with her skirt arranged in such a way that it appeared that she had no legs.
 
AmeriCymru: A little bit off topic I know but still I think many readers will be curious. What do you think is the most essential prerequisite for economic recovery in the former Welsh mining valleys?

Ralph: Personally I don''t think there is a lot of hope for the Welsh valleys as no one will invest anymore. In the town where I live (Merthyt Tydfil), there is a lot of unemployment and the big businesses have pulled out and gone to more economic countries.The government will tell you to go and look elsewhere for work, but there is no work around in the valley''s. If the youngsters want work they have got to leave the valley''s, and when they do they don''tcsome back as there is nothing here for them.

AmeriCymru:  Your second novel is titled The Deceit . Can you tell us a little more about the book?

The Rage Within - Ralph Jones Ralph: The rage within is a purely fictional story,although some people might think that they recognize some similarities. It is a story about a young boy named Jake,who was born when his violent and abusive father was in prison. Subsequently the father would not accept the boy as his and he resented the child as he was growing up. The boy, although he had a hard childhood, grew up with the love of his mother. He was taken to a boxing gym by a school teacher who had grown up in a similar position to him, after he got into trouble for fighting in the school yard.

Jake was taken in by the owner of the gym after he saw potential in the youngster and he was soon making a name in the boxing ring. But trouble was not far away from the young Jake and he had an injury which finished his boxing career. After this he started to drift into different things.He was given a job working on a farm and this was where he met Fran a girl older than he was. Fran was the girl who taught him about sex, she also used him as her own personal thing. When she moved away without telling Jake it broke his heart and this was when the downwards spiral started. Jake was then taken in by Alex a Londoner, an East end gangster who gave him a job firstly as a debt collector and a bouncer on the door of the club that he had opened in Wales. Alex had an associate, Andy a brutal and vicious man who took an instant dislike to Jake. This dislike led to many brutal fights between Jake and Andy and the two had a mutual contempt for one another.

Fran eventually returned but unknown to Jake she brought her new boyfriend with her, although she continued to taunt Jake. As Jake made his way up in Alex''s company he was drawn into a complex web of corruption which would see him travel to London with Alex, which Jake thought was a start in moving up the ladder in Alex''s empire, this was not to be the case.

The story takes a lot of twists and turns along the way with Jake eventually being framed for the murder of his best friend Slugger, a man who had looked after Jake during his early criminal days.

The story travels from the Welsh valley's to the East end of London and along the way there is a lot of greed, corruption, blackmail, deceit and also a bit of lust, with a few murders thrown in.

AmeriCymru: What''s next for Ralph Jones? Are you working on a new book?

Ralph: At this exact time I am working on a book about the history of Dowlais rugby football club. It is my home club as I was born in Dowlais and it is a subject close to my heart. I am about 75 per cent finished,the only thing is that when I think I am getting close to finishing, one of the older players wil come up to me and tell me some more stories. I have also been trying to write about a local pub I used to go to. There were a lot of real characters there, and I am thinking about doing part 2 of The Rage Within.

AmeriCymru: Any final message for the members and readers of AmeriCymru?

Ralph: I would just like to thank you for giving me this interview and would like to say that if any of the readers and members of Americymru would like to buy the book it does need a good editing, but I thought that the publishers were going to do it. But it is written from the heart, and if anybody would like to send me any questions I will be more than happy to answer them.






'Wingspan' - A Review

wingspan Jeremy Hughes is one of the more interesting writers to emerge from Wales in recent years. His first novel Dovetail , held us spellbound with the story of a young boy emasculated in a school bullying incident, whose  later life became a remorseless quest for revenge. The ghastly contrivances which he manufactured for this purpose bring to mind some of the more gruesome episodes of ''Dexter''. His second novel Wingspan could not provide more of a contrast. It is a quiet and reflective work which tells a tale of loss and discovery following a whirlwind wartime romance and subsequent tragic air crash in the Brecon Beacons.

The two characters (father and son) who dominate this narrative are from profoundly dissimilar backgrounds and lead acutely contrasting lives.

The father, an ace US Air Force commander in WWII, describes his excitement as his formation emerges from cloud cover after another successful bombing mission over wartime Germany:-

We emerge number one in the high squadron, coming to the surface as if from dark water, and then we see the others breaking through, their tailfins first, large dull fish suddenly plated gold by the sun. Someone says "Wow!" on the interphone, "would you look at that!" Not many people get to see such wonder. Thirty-six forts in formation moving gently in the currents.

The son, a mild mannered headmaster at a rural English school, relishes the feeling of comfort and security he experiences viewing factory lights from a passing train:-

Industrial units, so often a feature of derelict ground near stations these days, have dull amber lights over their back doors. I feel well off, suddenly: if I were out there I''d be confronted with something that might threaten my mortality. I''m thinking motiveless murder. All from a light above a door. I used to look out of my bedroom as a child and watch the rain lashing past the amber street light. It''s a similar feeling. I''m safe.  

The action takes place in England, Wales and America and the story unfolds in episodes from the war period and the present day. The plot details are skifully interwoven and as layer upon layer of the unfolding drama is revealed we become engrossed in the son''s ongoing quest to connect with the ''ghost'' of his dead father. In deciding to pursue this quest, he embarks upon a voyage of self discovery which ultimately transforms his life and circumstances.

Readers of Jeremy''s first novel ''Dovetail'' may be surprised by the contrast in thematic material and content but this only demonstrates his extreme versatility as a writer. What both novels have in common is that they are beautifully crafted and a delight to read. A former ''Book of the Day'' selection on the Welsh American Bookstore, this title comes highly recommended.  


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An Interview With Jeremy Hughes

AmeriCymru spoke to Welsh author Jeremy Hughes about his latest novel ''Wingspan" - "Jeremy Hughes was born in Crickhowell, south Wales. He was awarded first prize in the Poetry Wales competition and his poetry was short-listed for an Eric Gregory Award. He has published two pamphlets - Breathing For All My Birds (2000) and The Woman Opposite (2004) - and has published poetry, short fiction, memoir and reviews widely in British and American magazines,. His first novel Dovetail was published in 2011."



AmeriCymru:  Hi Jeremy and many thanks for agreeing to be interviewed by AmeriCymru. How would you describe your new novel ''Wingspan''?

Jeremy:   Wingspan is the story of a WWll American bomber pilot who has always believed he can fly and who crashes when returning from a mission, leaving behind a wife and baby son.  The first half of the book explores his world.  The second half of the book is set fifty years later with the son searching for the father he never knew.

AmeriCymru:  What does the novel have to say about the importance of understanding and re connecting with our past?

Jeremy: The past is integral to our lives.  The novel explores the relationship between familial generations and their historical significance.  The global is always played out in the domestic. 

AmeriCymru:  The experience of wartime flying is superbly evoked in the book. How did you research this topic?

Jeremy:   Even though the book is relatively short, it contains a great deal of research. This includes finding out about the training of pilots, hunting out documentaries, feature films, visiting the American war cemetery at Madingley, Cambridge, visiting airfields and crash sites, as well as the Imperial War Museum, Duxford where they have a Stearman and Flying Fortress in the collection.  All of these contributed to the book in some way.  A great deal of research is always left out. 

AmeriCymru:  A number of American and British planes crashed in the Welsh mountains during World War II. What attracted you to this theme or setting?

Jeremy:  I discovered a pamphlet in the mid-1990s which plots the locations and stories of the aeroplanes which have crashed in the area.  I was very moved by the story of “Ascend Charlie”, a Flying Fortress which crashed when returning from a mission.  Its crew of ten perished and were buried at Madingley.  I couldn’t stop wondering about each of these men and their individual lives: who they were in civilian life, what had been their hopes and ambitions, who they had left behind.  This is what set me off.  I’d been thinking about it for years.

Tim is emasculated by a gang of bullies at the age of fifteen and devotes his life to revenge. He plans to build a machine that will kill each member of the gang one by one. Each death must be aesthetically beautiful, and so Tim apprentices himself to a brilliant craftsman to acquire the skills he needs. Then he begins to practice the perfect murder. A psychological thriller set in Spain and south east Wales, focused on obsession and the far-reaching evils of perfectionism.

AmeriCymru:  Your first novel ''Dovetail'' was also set in the Welsh hills. Care to describe it for us?

Jeremy:   Reviewers described ‘Dovetail’ as a psychological thriller and as literary horror.  For me it is quite simply a revenge story.  The protagonist devotes his life to putting right the wrong perpetrated upon him by a gang of boys when he was fifteen.  He apprentices himself to a brilliant craftsman in order to acquire the skills he perceives he needs to build a killing machine out of fine timbers.  He is obsessed with perfection.  The moment at which the machine is perfect is when it kills beautifully.  The book interrogates the notions of aesthetic beauty and moral imperfection, as the protagonist busies himself with a love of birds, craftsmanship and the story of Saint Sebastian with whom he identifies. 

AmeriCymru:  In addition to writing novels you are also a published poet. Care to tell us more? Where can readers go to buy your poetry online?

Jeremy:  Before I wrote ‘Dovetail’ my whole world view was poetic.  I interpreted what was around me in terms of poetry constantly.  I published the first poems I wrote as an undergraduate.  I was shortlisted for an Eric Gregory Award and was awarded first prize in the Poetry Wales competition.  I had a great deal of magazine publication.  I published two pamphlets: breathing for all my birds and The Woman Opposite .  I read enormous amounts of poetry and built up a great library.  Then it all stopped when I entered the world of fiction. 

I had wanted to be a novelist when I first started writing but didn’t know how to achieve this, so turned to poetry because I thought it was ‘achievable’: poems were short and I could complete one in a reasonable amount of time.  I haven’t written a poem for several years but without the experience of crafting poems I would not be the kind of prose writer I have become.  Baudelaire said, “Be a poet even in prose,” or something like that… 

AmeriCymru:   What''s next for Jeremy Hughes? Are you working on a new book at the moment?

Jeremy:   I am working on a crime novel set in Abergavenny and Madrid.  The book’s central idea is related to identity.  The criminal is a portrait painter. The police officer returns to the small town of his upbringing with the skills and years of experience he acquired as a detective in the Met. People disappear and artistic clues are left behind.  The criminal and the officer share an event in the past which causes these disappearances. 

I carried out research at the Prado and Reina Sophia in Madrid, the Picasso Museum in Barcelona, the fine gallery in Céret, southern France and the National Museum of Wales, Cardiff. 

AmeriCymru:   Any final message for the readers and members of AmeriCymru?

Jeremy:   I am so pleased to be able to connect with readers around the world.  I love writing about the place of Wales within a global context, however modestly.  I hope that American readers enjoy the books I make as much as I enjoy creating them.

All best wishes from Abergavenny,

Jeremy Hughes


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About the Author

Jeremy Hughes was born in Crickhowell, south Wales. He was awarded first prize in the Poetry Wales competition and his poetry was short-listed for an Eric Gregory Award. He has published two pamphlets - Breathing For All My Birds (2000) and The Woman Opposite (2004) - and has published poetry, short fiction, memoir and reviews widely in British and American magazines,. His first novel Dovetail was published in 2011. He studied for the Master''s in creative writing at the University of Oxford. He now teaches Creative Writing at Oxford and the University of Wales, Newport, as well as literature for Aberystwyth. He is married with a daughter and a son.

Product Details

Wingspan

In September 1943 an American Flying Fortress returning from a bombing mission crashes in Wales.


Published by: Cillian Press

Date published: 2013-1-11

Edition: 1st

ISBN: 0957315589

Available in Paperback


Useful at last!


By Jenny Sullivan, 2014-10-30

Despite living in France, it's always good to be asked to help out in the Old Country:  just before my last visit home to Wales I was contacted by the Save the Children charity to ask if I'd help out in their "Read On, Get On" campaign.  This is aimed at getting Welsh children reading, and more important, enjoying reading. I wrote a short story for inclusion in STC's book, which will be launched on 30th October at the Millennium Centre in Cardiff, and on the day I was packing to leave for the ferry that afternoon, I was asked to write an article for the Western Mail's Authors' Notes page featured in the Saturday colour supplement. So I sat down in the middle of piles of clothes, teaching stuff (I was going home to visit some schools to workshop and to launch my new book which, serendipitously, was about a dyslexic child) and wrote it.  Which is probably why I arrived in Wales with only a pair of sneakers, one top and no socks ~ that was my excuse for the new stuff, anyway!  The launches, one in Waterstone's bookshop in Abergavenny and one in a Welsh-language school, went brilliantly, and so did the schools visits.  I'm also Patron of Reading to three Welsh schools, which means that I write a monthly newsletter telling the kids what I'm doing, encouraging them to read and setting challenges ~and if there are any Americymru members out there with school links I'd be glad to get involved with a transatlantic school too, though I can't promise to visit!

One of the schools was a Cardiff one that has around 27 different ethnic languages in it, and I arrived the day they were going to have a party to celebrate Eid el Fitr, so all the children were wearing rainbow saris or brocade tunics ~ it was like teaching a cloud of butterflies.  I had my story bag with me, and one of the items in it was a seashell.  I was astounded to learn that the children didn't know that the sea lives in sea-shells, and the shell was pressed to so many ears and produced so many wondering faces that the session became one that I shall remember for a long time to come.

I must apologise that my appearences in this forum are infrequent ~ I'm supposed to be retired, but as most retired people say, I've never been so busy.  As well as writing (that's something I'll never retire from) and the Patron newsletters I also produce another for our little English-language multi-faith church out here and have just taken my first service.   I may recover from the trauma some time in the future...

Now I'm going back to the new book I've just started writing...

Posted in: Writing | 0 comments

Its good to be alone in your own shed.


By Lindsay Halton, 2014-10-28

My life extension
Permitted development
Place for me to shed


If you have your own shed then you are in creative company- Dylan Thomas had one and so did Virginia Wolf, so too did Roald Dahl – Our sheds tell good stories, so perhaps this is why the writers like them so much.  A shed takes us outside the home, and perhaps it takes us outside in order to be closer to a more creative aspect of who we are – to a wilder state than the more domestic versions of ourselves.

His and her own shed


The wild woman Caitlyn Thomas used to lock her husband Dylan in his own shed to make his poetry work, maybe he would have preferred to go down the pub, but so much more creativity came out of his writing shed. In his ‘A poem in October’ he wrote:


“….And I rose…In rainy autumn…And walked abroad in a shower of all my days…”.


In the shed we are just inches from the elements, and our human nature walks abroad, yet not so far from home.

Make your own shed a pink shed – Do it for breast cancer


I used to Envy the roadside worker looking so at home with kettle on the woodstove in his own shed by the roadside, and then the allotment couple retiring from the worldly race in their own shed, seeming so content to pass the time, with the married man extoling virtues of time well spent alone, and the office worker’s abandonment of form for freedom at home in her own shed; where self-employment became fulfillment, and her expression of joy was pretty in pink; Yes! not the old age brown, or green, or weathered grey boards, but the new age pink - which I thought at first a reactionary jest to challenge a stereotype – “no longer just the man shall inhabit the shed”.  But no; a bold and pretty statement, that draws attention to the female breast, as an advert for this Breast Cancer Awareness Month.

My own shed story


My own shed is nearing completion, and I cannot do that pink thing to it – I can tell you it is not a pretty place; home to my peculiarities – It tells my story. Cobbled together from past and present; from the Larch of my woodland, my old french doors, and the cast iron stove now 30 years from its starter home, with mirrored window imposing  my reflection upon what I see outside, and 50 years of story scratched and scrolled into floor boards that now adorn my new walls- Enriched with the fabric that rubbed against my home life; home now to the books that inspire me still.

The wilder-ness of your own shed


So what about you? Do you have your own shed, or another place that will put you in touch with the wilder-ness of who you are? Building your own shed is a chance to explore.

Explore the idea of fabric and texture, of fragrance and light, of openness and enclosure, of your own shed and what its humble shelter could do for you. So many are doing it now, but without so much expression – Shed sales are up by 300% and the back garden economy is booming. Home is now for work, no longer just for rest and play, and that is a modern function of the shed – home is a mirror of self, and the shed now has so much more to say.

Check out my shed pics at:  http://www.pinterest.com/lindsayhalton/studio-sheds/

Is your shed a UK best? if so nominate it at  http://www.readersheds.co.uk/shedme.cfm

More pink sheds at:  http://www.easyshed.co.uk/blog/breast-cancer-awareness-month-pink-sheds/

The Secret of Home  was my first book; a self-help guide to read your home and to work with your home as a means to achieve a better life.

 

I will be writing about the meaning of colour in future blogs – Why do women wear red shoes and what happened to the woman who lived in a black and white house?

Follow me on  Twitter  and read my future blogs to find out more, Let me know about your own shed.   Contact me

Lindsay Halton Architect-Author-Guide

Posted in: Blogging | 0 comments

There are many ways to be haunted:

  • haunted by memories
  • haunted by relationships and addictions
  • haunted by the dead
  • haunted by the imagination

Living life in fear of shadows is like sleeping with the light on. Plenty of good comes out of the darkness. Tricks and treats make light of  our hauntings, So here are some insights and tips for making light of Winter.

Haunted by relationships and addictions


In a black and white life there are just shades of grey - the depths of colour are either absent or just not visible. On Halloween Black and Orange are the colours of choice, and this choice has a history. Black - we know it well, is the colour of darkness, in fact not a colour at all, but the absence of colour. It's impression can be powerful, alluding to shadows and threats sometimes dangerous and sexy - the power-dressing colour of choice.

Orange of course is a colour of Autumn -Falling leaves express this best, and the pumpkin lanterns hold the light in the darkness of this time. Orange by contrast to Black is flamboyant, and a warning, it's traffic light heeds us to pause, to get ready, it brings expectation - that something is about to happen; and so it does on Halloween, the time of year when we are haunted by superstition warning that the dead are quite near-by. Put in a more poetic way; age- old wisdom says that at this time "the veil between this world and beyond is thin".  So it is a good time for healing and for letting go. Enter the trickster, we all have him with us.

Haunted by the dead

Human nature being what it is, has transformed a Pagan religious festival into one of tricks and treats. Once a celebration of harvest, and the first winters day; its Welsh  name was  Calan Gaeaf , but  the Christian establishment preferred the theme of "All Saints day" (on Nov 2nd.), for the living to pray for the souls of the dead. Yet we are haunted still - something in our nature or even in our shadows calls us to remember a darker side; and so we light our candles and we bring it up to date with trick or treats. All Hallows Eve became Hallow Evening, and then Hallowe'en - the first day of Winter, a Pagan New Year's Day in contemporary dress. And so now we move into Winter, that more introverted time of year when we can turn more inward unto ourselves.

Haunted by the imagination


We are haunted, perhaps not by the dead, but by the trickster in our nature. When we feel the tingling down the back and spine is there something sinister or morbid in the shadows, or is our imagination playing tricks? In Greek mythology as in psychology today this feeling has been given character; its form is that of 'Hermes', but we in Celtic lands would know his name as 'Merlin', he came from near my home  ("Caer-fyrddin" was his fort, in the County where I live). Although others claim him as their own - and this befits his nature.

Hermes is the 'Puer Eternis'; eternally young father-less child, with a sense of humour, athletic, and stealthy. Not human but numinous; a figment of our imagination and an aspect of our psyche. He reminds us that we are on the edge, that genius and insanity are never far apart and haunted by that little breeze of shivers down the spine, life pauses between the gasp and outward breath.

Haunted by memories

We are haunted by memories of what we cannot let go; people die and ideas die; we experience death many times in our lives, and learning to let go is a life skill that enables us to be fully alive. In good humour we keep our sanity, making light of things we could not otherwise carry.

So on this first Winters day;  pause, gasp, hold your breath then exhale, and know you are alive. In this coming season of darkness, take time to look back and look inward, to Re-member and  celebrate.

Tip 1 - Make light, have fun, and let go.  Key area 1 of your home  is the place for appropriate reflection at this time of the year.

Tip 2 - Use Orange for enthusiasm, and for letting go.

Tip 3 - Light a candle as an affirmation of letting go

 

The Secret of Home  was my first book; a self-help guide to read your home and to work with your home as a means to achieve a better life.

http://www.jungatlanta.com/articles/Hermes-and-the-Creation-of-Space.pdf

In future blogs I will be writing about the meaning of colour from home experiences in Wales and beyond – Why do women wear red shoes and what happened to the woman who lived in a black and white house?  www.homesouls.com/blog

Follow me on  Twitter  and read my future blogs to find out more,    Contact me

Lindsay Halton Architect-Author-Guide


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 As I was lucky enough to be building the ebook for this, I got to read them all and this book is absolutely awesome.

Poet and reviewer Marc Mordey posted this review on his blog:

"I remember reading , and thoroughly enjoying, Lloyd Jones novel, ‘Mr Vogel’ and making the mental note that ‘I must read more of this man’s work’..but then, somehow, the opportunity has not arisen (or I have not made it happen).

  "Just lately I was gifted a copy of Mr Jones’ new collection of poetry – ‘The Secret Life of a Postman’, and what a fine present this has turned out to be.

 "I have been working my way gradually through this impressive selection of poems – it is a big volume and there is a deal of complexity in the words and rhythms of the poet : not a book to be absorbed at one reading, but a delightful, literary chocolate box to dip into and relish (and we are talking high end confectionary here!)"

This is all true and I can't recommend it highly enough. When I was working on this, I had the daily experience of getting smacked upside the head with meaty, meaningful concepts and imagery that I had to go chew over, that made me think and feel, that challenged and elevated me. If you can read, you should read this.

You can get either the ebook direct edition pdf here or kindle for Amazon https://www.amazon.co.uk/Secret-Life-Postman-Lloyd-Jones-ebook/dp/B00NQOEXC8/ref=asap_bc?ie=UTF8



OTHER BOOKS BY LLOYD JONES



 

 

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